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Background [ edit ]
Brian Wilson in the studio, 1976
Author Matthew Bannister traces "the more self-conscious, camp aesthetic of art rock"🌈 to pop artist Andy Warhol and the Velvet Underground, who emulated Warhol's art/pop synthesis. Accordingly: "Warhol took Spector's combination of🌈 the disembodiment, 'distance' and refinement of high culture with the 'immediacy' of mass cultural forms like rock and roll several🌈 stages further ... But Warhol's aesthetic was more thoroughly worked out than Spector's, which represented a transitional phase between old-fashioned🌈 auteurism and the thoroughly postmodern, detached tenets of pop art. ... Warhol's approach reverberates throughout art rock, most obviously in🌈 his stance of distance and disengagement." In 1969, the Doors also explored art rock genre on their fourth album, The🌈 Soft Parade.
The Beatles' Revolver (August 1966) furthered the album-as-art perspective and continued pop music's evolution. Led by the art-rock single🌈 "Eleanor Rigby", it expanded the genre's scope in terms of the range of musical styles, which included Indian, avant-garde and🌈 classical, and the lyrical content of the album, and also in its departure from previous notions of melody and structure🌈 in pop songwriting. According to Rolling Stone, "Revolver signaled that in popular music, anything – any theme, any musical idea🌈 – could now be realized."[56] As with Rubber Soul, the album inspired many of the progressive rock artists of the🌈 1970s, and each of its songs has been recognised as anticipating a new subgenre or style.
Enthusiasm for art rock explorations🌈 waned in the mid 1970s. From then to the 1990s, art rock was infused within various popular music genres.[3] Encyclopædia🌈 Britannica states that its genre's tendencies were continued by some British and American hard rock and pop rock artists, and🌈 that Brian Eno's late 1970s and early 1980s collaborations with David Bowie and Talking Heads are exemplary of "the successful🌈 infusion of art rock tendencies into other popular music genres".[3] Bowie and Eno collaborated on a series of consecutive albums🌈 called the "Berlin Trilogy", characterized as an "art rock trifecta" by Consequence of Sound, who noted that at the time🌈 of their release, "The experimental records weren't connecting with audiences on the scale Bowie was used to. ... New Wave🌈 had exploded, and a generation of Bowie descendants had taken the stage."[71]
