Much pop and rock music has been very similar in sound, instrumentation and even💋 lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses💋 elements from, or the form of, rock music.[9] Writer Johan Fornas views pop/rock as "one single, continuous genre field", rather💋 than distinct categories.[4] To the authors Larry Starr and Christopher Waterman, it is defined as an "upbeat variety of rock💋 music" represented by artists and bands such as: Andy Kim, the Bells, Paul McCartney, Lighthouse, and Peter Frampton.[10]
Critic Philip Auslander💋 argues that the distinction between pop and rock is more pronounced in the US than in the UK. He claims💋 that in the US, pop has roots in white crooners such as Perry Como, whereas rock is rooted in African-American💋 music influenced by forms such as rock and roll. Auslander points out that the concept of pop rock, which blends💋 pop and rock, is at odds with the typical conception of pop and rock as opposites. Auslander and several other💋 scholars, such as Simon Frith and Grossberg, argue that pop music is often depicted as an inauthentic, cynical, "slickly commercial",💋 and formulaic form of entertainment. In contrast, rock music is often heralded as an authentic, sincere, and anti-commercial form of💋 music, which emphasizes songwriting by the singers and bands, instrumental virtuosity, and a "real connection with the audience".[15]
Frith's analysis of💋 the history of popular music from the 1950s to the 1980s has been criticized by B. J. Moore-Gilbert, who argues💋 that Frith and other scholars have overemphasized the role of rock in the history of popular music by naming every💋 new genre using the "rock" suffix. Thus, when a folk-oriented style of music developed in the 1960s, Frith termed it💋 "folk rock", and the pop-infused styles of the 1970s were called "pop rock". Moore-Gilbert claims that this approach unfairly puts💋 rock at the apex and makes every other influence become an add-on to the central core of rock.[16]
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The original Amityville Horror from 1979 is regarded by some as a classic, but in most ways,7️⃣ the 2005 remake starring Ryan Reynolds is superior. Based on the allegedly true story of the Lutz family, The Amityville7️⃣ Horror was first a book by author Jay Anson, which was then adapted into a movie.
The Amityville Horror (1979)\n\n Despite not7️⃣ feeling terribly spooky to me anymore, it's definitely the scariest of all of them; anyone who watched it as a7️⃣ kid had nightmares afterward. It follows the plot of the original Jay Anson book and, sure, we all know it's7️⃣ a hoax, but it's a good time.
