Critic John Rockwell says that art rock is one of rock's most wide-ranging and eclectic genres with its overt sense♨️ of creative detachment, classical music pretensions, and experimental, avant-garde proclivities. In the rock music of the 1970s, the "art" descriptor♨️ was generally understood to mean "aggressively avant-garde" or "pretentiously progressive".[11] "Art rock" is often used synonymously with progressive rock.[1][3] Historically,♨️ the term has been used to describe at least two related, but distinct, types of rock music. The first is♨️ progressive rock, while the second usage refers to groups who rejected psychedelia and the hippie counterculture in favor of a♨️ modernist, avant-garde approach defined by the Velvet Underground. Essayist Ellen Willis compared these two types:
Brian Wilson in the studio, 1976
Author♨️ Matthew Bannister traces "the more self-conscious, camp aesthetic of art rock" to pop artist Andy Warhol and the Velvet Underground,♨️ who emulated Warhol's art/pop synthesis. Accordingly: "Warhol took Spector's combination of the disembodiment, 'distance' and refinement of high culture with♨️ the 'immediacy' of mass cultural forms like rock and roll several stages further ... But Warhol's aesthetic was more thoroughly♨️ worked out than Spector's, which represented a transitional phase between old-fashioned auteurism and the thoroughly postmodern, detached tenets of pop♨️ art. ... Warhol's approach reverberates throughout art rock, most obviously in his stance of distance and disengagement." In 1969, the♨️ Doors also explored art rock genre on their fourth album, The Soft Parade.
Clash Music names the Velvet Underground's debut March♨️ 1967 album The Velvet Underground & Nico "the original art-rock record".[59][nb 5] Bannister writes of the Velvet Underground: "no other♨️ band exerted the same grip on the minds of 1970s/1980s art/alternative rock artists, writers and audiences." Their influence would recur♨️ from the 1970s onwards to various worldwide indie scenes,[nb 6] and in 2006, The Velvet Underground & Nico was inducted♨️ into the Library of Congress' National Recording Registry, who commented: "For decades [it] has cast a huge shadow over nearly♨️ every sub-variety of avant-garde rock, from 70s art-rock to no-wave, new-wave, and punk." However, when the Velvet Underground first appeared♨️ in the mid 1960s, they faced rejection and were commonly dismissed as a "fag" band. In 1982, musician Brian Eno♨️ famously stated that while The Velvet Underground & Nico initially sold just 30,000 copies, "everyone who bought one of those♨️ 30,000 copies started a band."[64]
Early in the decade, Pink Floyd released Atom Heart Mother, with the 23-minute title track taking♨️ up the entire first side of the LP. This experiment with collaborator Ron Geesin yielded the longest unbroken Pink Floyd♨️ song on record, a suite divided into six parts, which required the band at times to utilize a choir and♨️ brass section on tour. The album was a commercial success, giving the band to its first number one record in♨️ the UK. It signaled a shift in their music from the psychedelic forays of their late '60s albums and into♨️ a period of renewed creativity in the form of longer and more progressive rock music.
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